Zarina Muhammad is an artist, educator and researcher whose practice is deeply entwined with a critical re-examination of oral histories, ethnographic literature and other historiographic accounts about Southeast Asia. Working at the intersections of performance, installation, text, ritual, sound, moving image and participatory practice, she is interested in the broader contexts of ecocultural and ecological histories, myth-making, haunted historiographies, water cosmologies and chthonic realms. She has presented her work and been involved in projects across Asia Pacific and Europe.